Evil Swirling Darkness Summary

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Evil Swirling Darkness Summary

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#1 The Evil Swirling Darkness: A True Story of the Joplin Tornado

To this end, Faust enters a realm of nothingness where ghosts of past existence dwell. Here the magician encounters the mystical Mothers and uses a magical key Mephistopheles gave him to summon the shades of Helen and Paris. Faust himself, however, passionate as he is, falls in love with Helen. Darkness and noisy confusion ensue in the hall. Despondent, Faust returns to his study with Mephistopheles, where little has changed.

Wagner , for his part, is now regarded as the most brilliant scholar living, and his fame eclipses that of even his dear mentor Faust. Wagner has been concocting in his laboratory, by unnatural scientific means, the Homunculus , a little flame-like man who lives in a glass vial. Homunculus suggests that he and the devil take Faust to Greece, to raise his spirits by partaking of the pleasures of Classical Walpurgis Night. During Classical Walpurgis Night, all the figures from Greek mythology are roaming: griffins, sphinxes, and harpies, nymphs and satyrs. Faust, Mephistopheles, and Homunculus split up to go on little quests of their own. Mephistopheles seeks erotic adventure with Thessalian witches, and ends up disguising himself as the monstrous hermaphrodite Phorkyas.

Finally, Homunculus quests to achieve a proper existence, which he discovers on the Aegean Sea, the origin of all natural life. The shape-shifter Proteus transforms into a dolphin, on whose back Homunculus rides to the open waters. There the little creature glows, fiery with love. He breaks his vial, and his fiery being embraces the waves—the unnatural product of science reconciled to the natural world. Meanwhile, Faust is granted his request that Helen be released from her ghostly afterlife to live again in a timeless moment.

She is presently in the halls of her husband Menelaus after the Trojan War has ended, but Phorkyas-Mephistopheles warns her that her husband intends to murder her. The devil offers to instantly transport her and her companions to the fortress of a powerful and magnanimous lord, none other than Faust, of course, and Helen accepts this offer. Helen is warmly received by its master, and the Grecian woman of ideal beauty and the Germanic man of earthly power fall in love; she grants him her hand, and the two are overwhelmed by joy. Soon after, Faust and Helen give birth to a brilliant genius of a child, Euphorion , who is nothing less than Poetry incarnate. On a mountaintop, Faust tells Mephistopheles that he has one final grand project: he desires to create new lands by driving the sea back on itself.

The only problem is that he requires a coastal fiefdom—a seaside country of his own to rule—to do so. Just then are heard the sounds of drums and warlike music: the devil explains that the Emperor is at war, because the false sense of prosperity created by the paper money circulating in the Empire led the emperor to attempt to govern his people while also enjoying a life of excessive pleasure; this in turn has led to anarchy and rebellion. The devil suggests that Faust help restore peace, with the hope that he will be rewarded a coastal fiefdom for his efforts.

Faust agrees, and the Emperor, with some reluctance, accepts the aid of the devil and magician in putting down the Anti-Emperor. Many, many years pass. Faust, now one hundred years old, has spent half a lifetime in his project of creating new lands, and has almost achieved his goal. He has ruled his fiefdom wisely and justly. However, one little property remains beyond his reach, a cottage and nearby linden grove belonging to an old married couple, Baucis and Philemon. Faust obsessively desires their property, and at last gives into the temptation to unjustly seize what is not his: he orders the devil and the Three Mighty Men to peaceably displace the old couple and seize their property. Please consider turning it on!

Remember Me. Darkness blanketed the ancient and decrepit woods, black clouds roiling above ancient trees that reached up like demonic claws. Not a single woodland creature, not a deer, rabbit, or squirrel could be found in this most evil of forests, only beings of foul intent; goblins, imps, and other nasty things made way, clawed feet stomping across dank ground, gnarly hands carrying flaming torches that lit up the decaying grey trees about them. Within an ancient throne-room, its high ceiling having long ago collapsed, opening to the dark sky above, here the goblins and ghouls gathered, standing along overgrown walls and atop crumpled pillars.

Slender arms were reached out, graceful hands tipped with black nails clasped, beautiful oval faces upturned, covered with dark make-up, full black lips opened as they sung an eldritch chant. Upon the stone slab, strange and carnal images carved upon its sides, prostrated another woman, her enticing body bare for all too see, pale skin painted with lines of black ink, swirling in arcane patterns across shapely thighs, plump breasts, and a heavily pregnant belly.

Slowly, pink petals began to dilate open, clear and slimy liquids gushing forth from between them as they revealed the top of a small bald head. Howling out through clenched teeth, the pregnant witch writhed as her slit was stretched wide about newborn flesh, cries of pleasured pain drowning out eldritch chants to dark powers, which only grew louder in response, seven wailing voices becoming huskier as seven sets of green eyes watched with lustful envy. Beautiful pale faces turned toward their mother, the seven young women continued their eldritch chant to dark powers, while far behind them goblins and other foul creatures continued to watch with evil excitement at the infernal ritual. King concluded that the creation myth as known in Nineveh was originally contained on seven tablets.

King published his own translations and notes in two volumes with additional material as The Seven Tablets of Creation, or the Babylonian and Assyrian Legends concerning the creation of the world and of mankind King By then additional fragments of tablet six had been found, concerning the creation of man — here Marduk was found to have made man from his blood combined with bone, which brought comparison with Genesis "This is now bone of my bones and flesh of my flesh; she shall be called 'woman,' for she was taken out of man" where the creation of woman required the use of a man's bone.

New material contributing to the fourth and sixth tablets also further corroborated other elements of Berossus' account. Further expeditions by German researchers uncovered further tablet fragments specifically tablet 1, 6, and 7 during the period — — these works replaced Marduk with the Assyrian god Ashur ; additional important sources for tablets 1 and 6, and tablet 7 were discovered by expeditions in —25, and —29 respectively. In the 21st century, the text remains a subject of active research, analysis, and discussion. King 's set of tablets were no older than the 7th century BCE, being from the library of Ashurbanipal at Nineveh. However, King proposed that the tablets were copies of earlier Babylonian works, since they primarily glorified Marduk of Babylon , and not the Assyrians' favored god Ashur.

The evidence that this represents Marduk and Tiamat is weak, as is the evidence for most posited depictions of the epic. It has been suggested that the myth, or at least the promotion of Marduk in it, dates to the ascendancy of the First Babylonian dynasty — BCE , during the same period that Marduk became a national god. Numerous copies of the tablets exist — even by fragments of four copies of the first tablet were known, as well as extracts, possibly examples of 'handwriting practice'. A tablet at the British Museum No Other variants of the creation myth can be found described in King , pp.

The epic itself does not rhyme , and has no meter — it is composed of couplets , usually written on the same line, occasionally forming quatrains. First eight lines of the Enuma Elis. Pritchard , pp. The tale begins before creation, when only the primordial entities Apsu and Tiamat existed, co-mingled together. There were no other things or gods, nor had any destinies been foretold. The commotion of these new gods disturbed and disgusted Tiamat, and Apsu could not calm them.

Apsu called Mummu to speak with Tiamat, and he proposed to destroy the new gods, but Tiamat was reluctant to destroy what they had made. Mummu advised Apsu to destroy them, and he embraced Mummu. The new gods heard of this and were worried — Ea however crafted a spell to lull Apsu to sleep. Mummu sought to wake Apsu but could not — Ea took Apsu's halo and wore it himself, slew Apsu, and chained Mummu.

Apsu became the dwelling place of Ea, together with his wife Damkina. Within the heart of Apsu, Ea and Damkina created Marduk. Anu created the four winds. Other gods taunted Tiamat: 'When your consort Apsu was slain you did nothing', and complained of the wearisome wind. Tiamat then made monsters to battle the other gods, eleven chimeric creatures with weapons, with the god Kingu chief of the war party and her new consort. She gave Kingu the 'Tablet of Destinies', making his command unchallengeable.

Ea heard of Tiamat's plan to fight and avenge Apsu. He spoke to his grandfather Anshar, telling that many gods had gone to Tiamat's cause, and that she had created eleven monstrous creatures fit for war, and made Kingu their leader, wielding the 'Tablet of Destinies'. Anshar was troubled and told Anu to go to appease Tiamat, but he was too weak to face her and turned back. Anshar became more worried, thinking no god could resist Tiamat.

Finally, Anshar proposed Marduk as their champion. Marduk was brought forth, and asked what god he must fight — to which Anshar replied that it was not a god but the goddess Tiamat. Marduk confidently predicted his victory, but exacted their promise to proclaim him supreme god, with authority over even Anshar. Anshar spoke to Gaga , who advised him to fetch Lahmu and Lahamu and tell them of Tiamat's war plans, and of Marduk's demand for overlordship if he defeats her.

Lahmu and Lahamu and other Igigi heavenly gods were distressed, but drank together, becoming drowsy, and finally approving the compact with Marduk. Lines 20—. Pritchard , p. Marduk was also given a sceptre and vestments, as well as weapons to fight Tiamat — bow, quiver, mace, and bolts of lightning, together with the four winds — his body was aflame. Using the four winds Marduk trapped Tiamat. Adding a whirlwind, a cyclone, and Imhullu "the Evil Wind" , together the seven winds stirred up Tiamat. In his war chariot drawn by four creatures he advanced. He challenged Tiamat, stating she had unrightfully made Kingu her consort, accusing her of being the source of the trouble. Enraged, Tiamat joined Marduk in single combat.

Marduk used a net, a gift from Anu, to entangle Tiamat; Tiamat attempted to swallow Marduk, but 'the Evil Wind' filled her mouth. With the winds swirling within her she became distended — Marduk then fired his arrow, hitting her heart — she was slain. The other gods attempted to flee but, Marduk captured them, broke their weapons, and netted them. Her eleven monsters were also captured and chained; whilst Kingu was taken to Uggae the Angel of Death , the 'Tablet of Destinies' taken from him. Marduk then smashed Tiamat's head with the mace, whilst her blood is carried off by the North Wind. Marduk then split Tiamat's remains in two — from one half he made the sky — in it he made places for Anu, Enlil, and Ea.

Marduk made likenesses of the gods in the constellations, and defined the days of the year from them. He created night and day, and the moon also. He created clouds and rain, and their water made the Tigris and Euphrates. He gave the 'Tablet of Destinies' to Anu. Statues of the eleven monsters of Tiamat were made and installed at the gate of Apsu. Marduk then spoke to Ea — saying he would use his own blood to create man — and that man would serve the gods. Ea advised one of the gods be chosen as a sacrifice — the Igigi advised that Kingu be chosen — his blood was then used to create man. Lines 57—. Marduk then divided the gods into "above" and "below" — three hundred in the heavens, six hundred on earth.

The gods then proposed to build a throne or shrine for him — Marduk told them to construct Babylon. The gods then spent a year making bricks — they built the Esagila Temple to Marduk to a great height, making it a place for Marduk, Ea, and Enlil. A banquet was then held, with fifty of the great gods taking seats.

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