Ancient Greece Theater

Tuesday, December 21, 2021 12:44:13 AM

Ancient Greece Theater



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What is Greek Theatre?

This person would act as well as direct scene transitions. Eventurally, the plays developed into a handful of actors being able to perform on stage. It was common for there to be a musical background as well as a live chorus and more during these performances. During a play in ancient Greece, actors would change costumes as the play was taking place. This was done in a small tent often located behind the stage. The costume changes would break up the play into distinct episodes. This eventually became musical interludes. Only three actors would be allowed to be on the stage at the same time. A play could also have as many non-speaking roles as necessary. These limitations resulted in each performer doing multiple roles.

The exact beginnings of Greek comedy plays are not known. Many people believe they could have started from the activity of actors mimicking one another as well as making jokes about current plays and more. During the 6th century BCE, the plays started to incorporate scenes involving actors dressed in exaggerated costumes that looked like a satyr or horse. Various poems involving humor as well as songs would be sung during various plays. There is some controversy as to the origins of Ancient Greek tragedy. Some believe the Greek tragedy began as a form of earlier poetry. Others believe it is more closely associated with the Greek rituals performed when gods such as Dionysos were worshiped.

Dionysos did become known as the god of theaters. During the ritual, people would not be able to control their emotions and become another person. During this early period in Greek drama, the stage and most probably the skene stage building were made of wood. Vase paintings depicting Greek comedy from the late fifth and early fourth centuries B. The actors entered from either side and from a central door in the skene, which also housed the ekkyklema, a wheeled platform with sets of scenes. A mechane, or crane, located at the right end of the stage, was used to hoist gods and heroes through the air onto the stage. Greek dramatists surely made the most of the extreme contrasts between the gods up high and the actors on stage, and between the dark interior of the stage building and the bright daylight.

Little is known about the origins of Greek tragedy before Aeschylus ca. His earliest surviving work is Persians , which was produced in B. The roots of Greek tragedy, however, most likely are embedded in the Athenian spring festival of Dionysos Eleuthereios, which included processions, sacrifices in the theater, parades, and competitions between tragedians. The protagonist and the chorus portrayed the heroes who were the object of cult in Attica in the fifth century B. Often, the dialogue between the actor and chorus served a didactic function, linking it as a form of public discourse with debates in the assembly.

To this day, drama in all its forms still functions as a powerful medium of communication of ideas. Unlike the Greek tragedy, the comic performances produced in Athens during the fifth century B. There seems to have been no limit to speech or action in the comic exploitation of sex and other bodily functions. Terracotta figurines and vase paintings dated around and after the time of Aristophanes —ca. In the second half of the fourth century B. In many ways comedy became simpler and tamer, with very little obscenity. Subtle differentiation of masks worn by the actors paralleled the finer delineation of character in the texts of New Comedy, which dealt with private and family life, social tensions, and the triumph of love in a variety of contexts. Hemingway, Colette.

Greece and Rome. Introduction by Joan Mertens. New York: Metropolitan Museum of Art, See on MetPublications. Bieber, Margarete. The History of the Greek and Roman Theater. Princeton: Princeton University Press, Bothmer, Dietrich von. Greek Vase Painting: An Introduction. MMA Bulletin Green, J. Images of the Greek Theatre.

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