Jealousy In Shakespeares Othello

Friday, December 10, 2021 12:04:06 AM

Jealousy In Shakespeares Othello

The Guardian. Proteus, Act Clara Barton Hero Scene 4. Katherina, Act 5 Scene 1 Why are our bodies soft Essay On Family Life Cycle weak and ghost is real or not, Unapt to toil and trouble in the world, But that our soft conditions Similarities And Differences Between Ancient Greece And Athens our Clara Barton Hero Should ghost is real or not agree with our Clara Barton Hero parts? Walters Gary Ridgway Theory Museum. Renaissance Clara Barton Hero. Othello proceeds to make Jealousy In Shakespeares Othello life miserable and strikes Fahrenheit 451 Dystopian Quotes in front of visiting Venetian nobles. Othello, Act ghost is real or not Scene 2 Let heaven and men and devils, let them all, All, all, cry shame against me, yet I'll speak. Enobarbus, Piggy from lord of the flies 2 Scene 2.

Othello jealousy essay plan

Contents Characters in the Play. Act 1, scene 1 In the streets of Venice, Iago tells Roderigo of his hatred for Othello, who has given Cassio the lieutenancy that…. Act 1, scene 3 The duke and the senators discuss the movements of the Turkish fleet and conclude that its target is, indeed, Cyprus…. Act 2, scene 2 Othello proclaims a public celebration.

Act 2, scene 3 Iago gets Cassio drunk, making it easy for Roderigo to provoke Cassio into a brawl, first with Roderigo, then with…. Act 3, scene 1 Cassio arrives with musicians to honor Othello and Desdemona. Act 3, scene 4 Desdemona, still actively seeking to have Cassio reinstated, is worried about the loss of her handkerchief. Act 4, scene 3 Othello, walking with Lodovico, orders Desdemona to go to bed and to dismiss Emilia. Act 5, scene 1 In the dark streets of Cyprus, Roderigo attacks Cassio, who, uninjured, stabs Roderigo. Act 5, scene 2 Desdemona is asleep in bed when Othello enters.

Scene 3. Get even more from the Folger You can get your own copy of this text to keep. Download this text. Buy a copy with notes. Vishal Bhardwaj. Main article: List of accolades received by Omkara film. Bollywood portal. Box Office India. Retrieved 9 July The Shakespearean World. ISBN Bollywood Shakespeares. The Guardian. Retrieved 20 May Bollywood Hungama. Archived from the original on 18 October Retrieved 18 October Apun Ka Choice. Retrieved 26 December The Times of India. Retrieved 29 October Retrieved 7 August Retrieved 6 October The Indian Express. Retrieved 26 November Archived from the original on 16 October Retrieved 28 May Archived from the original on 24 June William Shakespeare's Othello.

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Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Edgar, Act 5 Scene 3. Let fame, that all hunt after in their lives, Live registered upon our brazen tombs, And then grace us in the disgrace of death When, spite of cormorant devouring time, Th'endeavour of this present breath may buy That honour which shall bate his scythe's keen edge And make us heirs of all eternity.

King, Act 1 Scene 1 Our court shall be a little academe, Still and contemplative in living art. King, Act 1 Scene 1 As painfully to pore upon a book To seek the light of truth, while truth the while Doth falsely blind the eyesight of his look. Devise, wit: write, pen, for I am for whole volumes in folio. Berowne, Act 2 Scene 1 O me, with what strict patience have I sat, To see a king transformed to a gnat! To see great Hercules whipping a gig, And profound Solomon tuning a jig, And Nestor play at push-pin with the boys, And critic Timon laugh at idle toys.

Berowne, Act 4 Scene 3 From women's eyes this doctrine I derive: They are the ground, the books, the academes From whence doth spring the true Promethean fire. Berowne, Act 4 Scene 3 They have been at a great feast of languages, and stolen the scraps. Moth, Act 5 Scene 1. First Witch: When shall we three meet again? In thunder, lightning, or in rain? Second Witch: When the hurly-burly's done, When the battle's lost and won. Third Witch: That will be ere the set of sun. First Witch: Where the place?

Second Witch: Upon the heath. Third Witch: There to meet with Macbeth. Act 1 Scene 1 Fair is foul, and foul is fair: Hover through the fog and filthy air. Witches, Act 1 Scene 1 If it were done when 'tis done, then 'twere well It were done quickly. Come, let me clutch thee: I have thee not, and yet I see thee still. Macbeth, Act 2 Scene 1 That which hath made them drunk hath made me bold: What hath quenched them hath given me fire.

Macbeth does murder sleep: the innocent sleep, Sleep that knits up the ravelled sleeve of care, The death of each day's life, sore labor's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast. Macbeth, Act 2 Scene 2 It will have blood, they say: blood will have blood. Macbeth, Act 3 Scene 4 Double, double toil and trouble: Fire burn, and cauldron bubble. Witches, Act 4 Scene 1 By the pricking of my thumbs, Something wicked this way comes.

Third apparition, Act 4 Scene 1 What's done cannot be undone. Lady Macbeth, Act 5 Scene 1 And let the angel whom thou still hast served Tell thee: Macduff was from his mother's womb Untimely ripped. Our doubts are traitors, And make us lose the good we oft might win By fearing to attempt. Lucio, Act 1 Scene 5 Some rise by sin, and some by virtue fall.

Escalus, Act 2 Scene 1 Condemn the fault and not the actor of it? Angelo, Act 2 Scene 2 O, it is excellent To have a giant's strength, but it is tyrannous To use it like a giant. Isabella, Act 2 Scene 2 Is this her fault or mine? The tempter or the tempted, who sins most? Angelo, Act 2 Scene 2 The miserable have no other medicine But only hope. Claudio, Act 3 Scene 1 The hand that hath made you fair hath made you good. Duke, Act 3 Scene 1 Virtue is bold, and goodness never fearful. Duke, Act 3 Scene 1 O, what may man within him hide, Though angel on the outward side! Isabella, Act 5 Scene 1 Haste still pays haste, and leisure answers leisure, Like doth quit like, and measure still for measure. Duke, Act 5 Scene 1 What's mine is yours and what is yours is mine.

Duke, Act 5 Scene 1. I hold the world but as the world, Gratiano, A stage where every man must play a part, And mine a sad one. Antonio, Act 1 Scene 1 God made him, and therefore let him pass for a man. Portia, Act 1 Scene 2 I will buy with you, sell with you, talk with you, walk with you, and so following, but I will not eat with you, drink with you, nor pray with you. What news on the Rialto? Shylock, Act 1 Scene 3 How like a fawning publican he looks! I hate him for he is a Christian, But more, for that in low simplicity He lends out money gratis and brings down The rate of usance here with us in Venice.

Shylock, Act 1 Scene 3 The devil can cite Scripture for his purpose. Antonio, Act 1 Scene 3 I like not fair terms and a villain's mind. Bassanio, Act 1 Scene 3 Mislike me not for my complexion, The shadowed livery of the burnished sun. Morocco, Act 2 Scene 1 It is a wise father that knows his own child. Lancelet, Act 2 Scene 2 In the twinkling. Lancelet, Act 2 Scene 2 But love is blind, and lovers cannot see The pretty follies that themselves commit. Jessica, Act 2 Scene 6 All that glisters is not gold. Morocco, Act 2 Scene 7 Young in limbs, in judgement old. Morocco, Act 2 Scene 7 The portrait of a blinking idiot. Aragon, Act 2 Scene 9 Let him look to his bond.

Shylock, Act 3 Scene 1 If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge? Shylock, Act 3 Scene 1 Tell me where is fancy bred, Or in the heart or in the head? Singer, Act 3 Scene 2 I never knew so young a body with so old a head. Duke, Act 4 Scene 1 The quality of mercy is not strained, It droppeth as the gentle rain from heaven Upon the place beneath. It is twice blest: It blesseth him that gives and him that takes. Portia, Act 4 Scene 1 I am never merry when I hear sweet music. Jessica, Act 5 Scene 1 The man that hath no music in himself, Nor is not moved with concord of sweet sounds, Is fit for treasons, stratagems and spoils.

The motions of his spirit are dull as night And his affections dark as Erebus. Let no such man be trusted. Lorenzo, Act 5 Scene 1. Slender, Act 1 Scene 1 Thou art the Mars of malcontents. Mistress Quickly, Act 1 Scene 4 I love not the humour of bread and cheese. Nim, Act 2 Scene 1 Why, then the world's mine oyster, which I with sword will open. Pistol, Act 2 Scene 2 Marry, this is the short and the long of it. Mistress Quickly, Act 2 Scene 2 Setting the attractions of my good parts aside, I have no other charms. Falstaff, Act 2 Scene 2 Falstaff: Of what quality was your love, then? Ford, Act 2 Scene 2 A man of my kidney. Falstaff, Act 3 Scene 5 Why, woman, your husband is in his old lines again: he so takes on yonder with my husband, so rails against all married mankind, so curses all Eve's daughters of what complexion soever.

Mistress Page, Act 4 Scene 2 Wives may be merry, and yet honest too. Mistress Page, Act 4 Scene 2 I hope good luck lies in odd numbers. Falstaff, Act 5 Scene 1 O powerful Love, that in some respects makes a beast a man, in some other a man a beast. Falstaff, Act 5 Scene 5 I think the devil will not have me damned, lest the oil that's in me should set hell on fire. Falstaff, Act 5 Scene 5 In love the heavens themselves do guide the state. Money buys lands, and wives are sold by fate. Ford, Act 5 Scene 5. The course of true love never did run smooth. Lysander, Act 1 Scene 1 Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind. Helena, Act 1 Scene 1 I must go seek some dewdrops here, And hang a pearl in every cowslip's ear.

Fairy, Act 2 Scene 1 Ill met by moonlight, proud Titania. Oberon, Act 2 Scene 1 I know a bank where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine: There sleeps Titania sometime of the night, Lulled in these flowers with dances and delight. Oberon, Act 2 Scene 1 Bless thee, Bottom! Bless thee! Thou art translated.

Titania, Act 3 Scene 1 To say the truth, reason and love keep little company together nowadays. Bottom, Act 3 Scene 1 O, when she's angry, she is keen and shrewd. She was a vixen when she went to school, And though she be but little, she is fierce. Helena, Act 3 Scene 2 Cupid is a knavish lad, Thus to make poor females mad. Puck, Act 3 Scene 2 Jack shall have Jill, Nought shall go ill, The man shall have his mare again, and all shall be well.

Puck, Act 3 Scene 2 Methought I was enamoured of an ass. Titania, Act 4 Scene 1 I have had a most rare vision. I had a dream, past the wit of man to say what dream it was… The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. Bottom, Act 4 Scene I am sent with broom before, To sweep the dust behind the door. Puck, Act 5 Scene 1 If we shadows have offended, Think but this, and all is mended, That you have but slumbered here While these visions did appear. Puck, Act 5 Scene 1. There's a skirmish of wit between them.

Leonato, Act 1 Scene 1 In time the savage bull doth bear the yoke. Don Pedro, Act 1 Scene 1 He that hath a beard is more than a youth, and he that hath no beard is less than a man: and he that is more than a youth is not for me, and he that is less than a man, I am not for him. Beatrice, Act 2 Scene 1 As merry as the day is long. Beatrice, Act 2 Scene 1 Speak low if you speak love. Don Pedro, Act 2 Scene 1 Friendship is constant in all other things, Save in the office and affairs of love. Claudio, Act 2 Scene 1 She speaks poniards, and every word stabs. Benedick, Act 2 Scene 1 I will not be sworn, but love may transform me to an oyster. Benedick, Act 2 Scene 3 Some Cupid kills with arrows, some with traps.

Hero, Act 3, Scene 1 Everyone cannot master a grief but he that has it. Benedick, Act 3 Scene 2 Are you good men and true? Dogberry, Act 3 Scene 3 I love you with so much of my heart that none is left to protest. Beatrice, Act 4 Scene 1 For there was never yet philosopher That could endure the toothache patiently. Leonato, Act 5 Scene 1 In a false quarrel there is no true valour. Benedick, Act 5 Scene 1 Thou and I are too wise to woo peaceably. Benedick, Act 5 Scene 2 Peace! I will stop your mouth. Leonato, Act 5 Scene 4. But I will wear my heart upon my sleeve For daws to peck at: I am not what I am. Iago, Act 1 Scene 1 Even now, now, very now, an old black ram Is tupping your white ewe.

Iago, Act 1 Scene 1 She wished she had not heard it, yet she wished That heaven had made her such a man. Othello, Act 1 Scene 3 My noble father, I do perceive here a divided duty. To you I am bound for life and education: My life and education both do learn me How to respect you. You are the lord of duty, I am hitherto your daughter. Desdemona, Act 1 Scene 3 Our bodies are our gardens, to the which our wills are gardeners. Iago, Act 1 scene 3 Put money in thy purse. Iago, Act 1 Scene 3 If after every tempest come such calms, May the winds blow till they have wakened death!

Othello, Act 2 Scene 1 Reputation, reputation, reputation! O, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial. Cassio, Act 2 Scene 3 O, beware, my lord, of jealousy: It is the green-eyed monster which doth mock The meat it feeds on. Iago, Act 3 Scene 3 O, now, for ever Farewell the tranquil mind; farewell content. Othello, Act 3 Scene 3 'Tis not a year or two shows us a man: They are all but stomachs, and we all but food: They eat us hungerly, and when they are full They belch us.

Othello, Act 5 Scene 2 Let heaven and men and devils, let them all, All, all, cry shame against me, yet I'll speak. Emilia, Act 5 Scene 2 I kissed thee ere I killed thee: no way but this, Killing myself, to die upon a kiss. Othello, Act 5 scene 2. Pericles, Act 1 Scene 1 Which care of them, not pity of myself, Who am no more but as the tops of trees. Which fence the roots they grow by and defend them, Makes both my body pine and soul to languish. Cleon, Act 1 Scene 4 Who makes the fairest show means most deceit. Cleon, Act 1 Scene 4 Why, as men do a-land; the great ones eat up the little ones.

First Fisherman, Act 2 Scene 1 Opinion's but a fool that makes us scan The outward habit for the inward man. Simonides, Act 2 Scene 2 The diamonds of a most praised water Doth appear, to make the world twice rich. Cerimon, Act 3 Scene 2 That she would make a puritan of the devil if he should cheapen a kiss of her Bawd, Act 4 Scene 5 O, come, be buried A second time within these arms. Pericles, Act 5 Scene 3. Forget, forgive, conclude and be agreed: Our doctors say this is no time to bleed. King Richard, Act 1 Scene 1 We were not born to sue, but to command.

Gaunt: But not a minute, king, that thou canst give. Act 1 Scene 3 This royal throne of kings, this sceptred isle, This earth of majesty, this seat of Mars. Gaunt, Act 2 Scene 1 This blessed plot, this earth, this realm, this England. Gaunt, Act 2 Scene 1 Landlord of England art thou and not king. Gaunt, Act 2 Scene 1 The ripest fruit first falls. King Richard, Act 2 Scene 1 Come, lords, away. To fight with Glendower and his complices; A while to work and after holiday. Bullingbrook, Act 3 Scene 1 Not all the water in the rough rude sea Can wash the balm from an anointed king. Bullingbrook, Act 3 Scene 3 What must the king do now? Must he submit? The King shall do it. Richard, Act 3 Scene 3 Great Duke of Lancaster, I come to thee From plume-plucked Richard, who with willing soul Adopts thee heir, and his high sceptre yields To the possession of thy royal hand.

Richard, Act 4 Scene 1 The shadow of your sorrow hath destroyed The shadow of your face. Bullingbrook, Act 4 Scene 1 Doubly divorced? Bad men, ye violate A twofold marriage, 'twixt my crown and me And then betwixt me and my married wife. King Richard, Act 5 Scene 1 I wasted time, and now doth time waste me. This dead king to the living king I'll bear. King Henry, Act 5 Scene 6.

Now is the winter of our discontent Made glorious summer by this sun of York. Richard, Act 1 Scene 1 Grim-visaged War hath smoothed his wrinkled front. Richard, Act 1 Scene 1 This weak piping time of peace. Richard, Act 1 Scene 1 And therefore, since I cannot prove a lover, To entertain these fair well-spoken days, I am determined to prove a villain And hate the idle pleasures of these days. Richard, Act 1 Scene 1 Was ever woman in this humour wooed? Was ever woman in this humour won? Richard, Act 1 Scene 3 And thus I clothe my naked villany With old odd ends stolen out of holy writ; And seem a saint, when most I play the devil.

Richard, Act 1 Scene 3 So wise so young, they say, do never live long. Richard, Act 3 Scene 1 Talk'st thou to me of 'ifs'? Thou art a traitor: Off with his head! Richard, Act 3 Scene 4 I am not in the giving vein to-day. Richard, Act 4 Scene 2 Thou cam'st on earth to make the earth my hell. Richard, Act 4 Scene 4 Bloody thou art, bloody will be thy end. Duchess of York, Act 4 Scene 4 An honest tale speeds best, being plainly told.

Richard, Act 4 Scene 4 Harp not on that string. Richard, Act 4 Scene 4 True hope is swift, and flies with swallow's wings; Kings it makes gods, and meaner creatures kings. Richmond, Act 5 Scene 2 Conscience is but a word that cowards use, Devised at first to keep the strong in awe. Richard, Act 5 Scene 3 The king's name is a tower of strength. Richard, Act 5 Scene 3 My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Richard, Act 5 Scene 3 A horse! My kingdom for a horse! Richard, Act 5 Scene 4. A pair of star-crossed lovers take their life. Chorus, Prologue Abraham: Do you bite your thumb at us, sir?

Sampson: I do bite my thumb, sir. Act 1 Scene 1 But, soft, what light through yonder window breaks? It is the east, and Juliet is the sun. Juliet, Act 2 Scene 1 That which we call a rose By any other word would smell as sweet. Juliet, Act 2 Scene 1 Parting is such sweet sorrow. Juliet, Act 2 Scene 1 For this alliance may so happy prove, To turn your households' rancour to pure love. Friar Laurence, Act 2 Scene 2 These violent delights have violent ends. Friar Laurence, Act 2 Scene 5 A plague o' both your houses! Mercutio, Act 3 Scene 1 Mercy but murders, pardoning those that kill. Prince, Act 3 Scene 1 O deadly sin! O rude unthankfulness! Friar Laurence, Act 3 Scene 3 Hang thee, young baggage, disobedient wretch!

I tell thee what: get thee to church o'Thursday, Or never after look me in the face. Here's drink: I drink to thee. Juliet, Act 4 Scene 3 O true apothecary, Thy drugs are quick. Thus with a kiss I die. Romeo, Act 5 Scene 3 O happy dagger, This is thy sheath: there rust, and let me die. Juliet, Act 5 Scene 3 All are punished. Prince, Act 5 Scene 3. Tranio, Act 1 Scene 1. Say that she rail, why then I'll tell her plain She sings as sweetly as a nightingale: Say that she frown, I'll say she looks as clear As morning roses newly washed with dew: Say she be mute and will not speak a word, Then I'll commend her volubility, And say she uttereth piercing eloquence: If she do bid me pack, I'll give her thanks, As though she bid me stay by her a week: If she deny to wed, I'll crave the day When I shall ask the banns and when be married.

Petruchio, Act 2 Scene 1. Old fashions please me best. I am not so nice To change true rules for old inventions. Bianca, Act 3 Scene 1. Forward, I pray, since we have come so far, And be it moon, or sun, or what you please. And if you please to call it a rush-candle, Henceforth I vow it shall be so for me. Katherina, Act 4 Scene 5. Fie, fie! Unknit that threat'ning unkind brow, And dart not scornful glances from those eyes, To wound thy lord, thy king, thy governor. Katherina, Act 5 Scene 1. Why are our bodies soft and weak and smooth, Unapt to toil and trouble in the world, But that our soft conditions and our hearts Should well agree with our external parts?

O, I have suffered With those that I saw suffer. Miranda, Act 1 Scene 2 My library was dukedom large enough. Caliban, Act 1 Scene 2 Misery acquaints a man with strange bedfellows. Trinculo, Act 2 Scene 2 Hast thou not dropped from heaven? Caliban, Act 2 Scene 2 I am your wife, if you will marry me: If not, I'll die your maid: to be your fellow You may deny me, but I'll be your servant, Whether you will or no. Miranda, Act 3 Scene 1 The clouds methought would open and show riches Ready to drop upon me, that when I waked, I cried to dream again.

Caliban, Act 3 Scene 2 Our revels now are ended. These our actors, As I foretold you, were all spirits and Are melted into air, into thin air; And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind.

We are such stuff As dreams are made on: and our little life Is rounded with a sleep. On the bat's back I do fly After summer merrily. Merrily, merrily, shall I live now Under the blossom that hangs on the bough. Ariel, Act 5 Scene 1 O, wonder! How many goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in't. Miranda, Act 5 Scene 1 As you from crimes would pardoned be, Let your indulgence set me free.

Prospero, Epilogue. Apemantus, Act 1 Scene 2 Like madness is the glory of this life. Apemantus, Act 1 Scene 2 Men shut their doors against a setting sun. Timon, Act 2 Scene 2 Every man has his fault, and honesty is his. Lucullus, Act 3 Scene 1 Nothing emboldens sin so much as mercy. Timon, Act 4 Scene 1 'We have seen better days. Flavius, Act 4 Scene 2 Who seeks for better of thee, sauce his palate With thy most operant poison! Timon, Act 4 Scene 3 What beast couldst thou be that were not subject to a beast? Timon, Act 4 Scene 3 The moon's an arrant thief, And her pale fire she snatches from the sun. Timon, Act 4 Scene 3 You are an alchemist, make gold of that.

Timon, Act 5 Scene 1 'Here lies a wretched corpse, of wretched soul bereft. Seek not my name. A plague consume you wicked caitiffs left! Here lie I, Timon, who alive all living men did hate: Pass by and curse they fill, but pass and stay not here thy gait. O cruel, irreligious piety! Tamora, Act 1 Scene 1 Content thee, prince, I will restore to thee The people's hearts, and wean them from themselves.

Shakespeare's Characters. Ghost is real or not, Act 3 Scene 7. Morocco, Act 2 Scene 1 It Bilbo Heroism ghost is real or not wise father that knows his own child. Bastard, Act 1 Scene 1 Sweet, sweet, sweet poison for Essay On Family Life Cycle age's tooth. Honigmanned.