Harriet Tubman Analysis

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Harriet Tubman Analysis

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'I Could Have Freed a Thousand More Slaves If They Knew They Were Slaves' - Harriet Tubman

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She never misplaced one of them along the way. As a wanted slave herself, she was assisted along the Underground Railroad by another famous. When Andrew Jackson became president ,he decided to build a systematic approach to indian removal on the basis of these legal precedents. Andrew Jackson was president for a very long time. Thomas Jefferson, in his Notes of the state of virginia. They always offered citizenship to the Indians. They wanted to become friends with Indians. More than 4, died before they reached their various destinations.

Davy Crockett was U. S congressman of tennessee. Cherokee authorities estimated that 6, men,women,and children died on the Trail of Tears. Some Cherokee escaped to North Carolina. In The Georgia compact is the beginning salvo towards the indian removal. In the Cherokee Nation from southeastern voluntarily migrated to Arkansas Territory. The Cherokee settled between the White and Arkansas river. The documentary I chose was on the Underground Railroad. The lady who started it all was named Harriet Tubman also known as black moses. Never learned to read or write, She was a freedom fighter born into slavery She was a strong woman due to her courage to start this and the blow to the head she took trying to stand up for a slave in her younger days. Her butch appearance allowed her to blend in with male slaves when getting the word out about the next Underground Railroad movement.

The documentary film structure consisted of reputable people frequently speaking throughout. These people would be shown sitting in an office chair, a conference room, standing or in some other room setting. It would show these people speaking from …show more content… As well as Harriet Tubman was the most celebrated member of the Underground Railroad. She returned to the south nineteen times to help around three hundred fugitive slaves. She never lost a passenger. In addition to hearing about the Underground Railroad in class this documentary also allowed me to learn more in depth details.

Such as one hundred thousand runaway slaves were estimated to have runaway between , it was estimated they were collectively worth thirty million. This was possible due to the thirty-two thousand aid operators like Thomas Garret that lived in Wilmington, Delaware. He had a fifty-year career in abolition where he assisted nearly twenty-seven thousand slaves. He was also put on trail and convicted for aiding and assisting fugitive slaves, fined eight thousand dollars. Ways of knowing about safe house could be shown by a mark on a tree, drinking ground well handle upturned and a light lit in a window. Douglas highlights access to education the reading figure , being able to remain with, and provide for, one's family the woman and child , freedom to farm independently and benefit directly from one's own labor the figure holding the hoe , freedom to enjoy leisure time the man relaxing on his back , and freedom to relocate to urban centers and build lives and communities there the towers.

With this narrative, Douglas offered "New Negroes" a collective narrative by which they could define themselves, their origins, their futures, and perhaps even their own version of the American dream. A central aspect that he emphasized was the new self-determination of African-Americans, which stands in sharp contrast to previous depictions that were made for white audiences, showing African-Americans as dependent on white society. While this sense of self-determination and defiance is shown, in part, through Tubman's strong body language, he focuses more on the broader efforts made to liberate slaves in the American South, rather than just on Tubman as a heroic figure.

This is why the concentric circles focus on the cannon, rather than Tubman. That this work was commissioned for the Bennett College for Women may have influenced Douglas's choice to also highlight Tubman. Content compiled and written by Alexandra Duncan. Edited and revised, with Summary and Accomplishments added by Sarah Archino. The Art Story. Harlem Renaissance. Not white art painted black.

Then let's sing it, dance it, write it, paint it. Let's do the impossible. Let's create something transcendentally material, mystically objective. Spiritually earthy. Our chief concern has been to establish and maintain recognition of our essential humanity, in other words, complete social and political equality. This has been a difficult fight as we have been the constant object of attack by all manner of propaganda from nursery rhythms to false scientific racial theories.

In this struggle the rest of the proletariat almost invariably has been arrayed against us. But the Negro artist, unlike the white artist, has never known the big house. He is essentially a product of the masses and can never take a position above or beyond their level. This simple fact is often overlooked by the Negro artist and almost always by those who in the past have offered what they sincerely considered to be help and friendship.

But I do object to people holding up pretty faces as the acme of beauty, then saying that the business of art is to depict beauty. It is revolting. Written in a letter to his soon-to-be-wife Alta Sawyer in Accomplishments Douglas depicted African subjects in an innovative and bold graphic style that was inspired by modern art , particularly Cubism. His approach elevated both everyday experiences and non-Western history to be part of an international avant-garde. He also integrated the rhythms of jazz into his compositions, adding an additional element of African-American culture to his imagery.

Flattening his figures to two-dimensional silhouettes and generalizing their forms to be generic men and women, Douglas created imagery that celebrated African and African-American themes in terms that were universal and integrative. He employed this style across a range of different media, including painting, illustration, murals, and prints. Douglas often worked with a narrow range of colors, instead using compositional elements and shapes like concentric circles and radiating beams, to create dramatic focal points and dynamic movement. These abstract elements enhanced the narratives of his paintings to make them more emotionally impactful. Through his work with the Harlem Artists Guild and as the chair of the art department at Fisk University a historically Black college , Douglas worked to increase educational access and career opportunities for young African-American artists.

He was an important mentor for second-generation Harlem Renaissance artists and an inspiration to contemporary artists who deal with race and identity in their work. Read full biography. Read artistic legacy. Important Art by Aaron Douglas. Artwork Images.

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