Empfindsamkeit: Bachs Life And Music

Thursday, February 24, 2022 2:01:07 AM

Empfindsamkeit: Bachs Life And Music



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Bach - 10 facts about Johann Sebastian Bach - Classical Music History

In addition he took the academic studies in theology, history and geography, and lessons of Latin, Italian, and French. Personality and character: Bach was 17 when he made a 4-month pilgrimage, walking on foot about kilometers from Arnstadt to the Northern city of Lubeck. There he studied with 'Dietrich Buxtehude' and became so involved that he overstayed his leave by three months. Back in Arnstadt, Bach wrote 'Toccata and Fugue in D Minor' , his first masterpiece; which stemmed from his bold organ improvisations.

At that time he was in love with his second cousin Maria Barbara; whom he was taking upstairs to the church organ, where her presence was inspirational for his creativity. Bach was punished for the violation of the restrictions on women's presence in the church and he was fired. However, he eventually married Maria Barbara. Cross-cultural studies: Bach studied the orchestral music of Antonio Vivaldi and gained insight into his compositional language by arranging Vivaldi's concertos for organ.

Six French suites were written for keyboard; each suite opens with 'Allemande' and consists of several pieces, including 'Courante', 'Sarabande', 'Menuet', 'Gavotte', 'Air', 'Anglaise', 'Polonaise', 'Bourree', and 'Gigue'. As suggested by their titles, the pieces were representing songs and dances from various cultures. From the music of the Italians Antonio Vivaldi , Arcangelo Corelli , and 'Giuseppe Torelli'; Bach adopted dramatic introductions and endings as well as vivacious rhythmical dynamism and elaborate harmonization.

Bach also performed the music of English, French, and Italian composers; motets of the Venetian school, and incorporated their rhythmical patterns and textural structures in the development of his own style. Teaching: Bach selected and instructed musicians for orchestras and choirs in Weimar and Leipzig. His work as a Cantor included teaching instrumental and vocal lessons to the church musicians and later to the musicians of the court orchestra. Bach was also a teacher of his own children and of his second wife. In , Bach presented his second wife with a musical notebook for studies, known as the 'Notebook of Anna Magdalena Bach'.

Compositions in the notebook were written in a form of minuete, polonaise, gavotte, march, rondeau, chorale, sonata, prelude, song, and aria; written mainly by Bach, as well as by his sons 'Carl Philip Emanuel Bach', Johann Christoph Bach, and composers 'Francois Couperin', Georg Bohm, and others. Family: Bach married his second cousin, named Maria Barbara, who was the inspirational force for his early compositions. They had seven children, 4 of whom survived to adulthood. Bach, J. Bach, and C. Bach became composers. Maria Barbara died in On December 3, , Bach married Anna Magdalena bee Wilcke , a talented soprano, who was 17 years his junior.

They had thirteen children. Bach fathered a total of 20 children with his two wives. The descendants of Bach are living in many countries across the world. Social activity: Bach replaced his friend Georg Philipp Telemann as the director of the popular orchestra known as Collegium Musicum, which he led from It was a private secular music society that gave concert performances twice a week at the Zimmerman's Coffeehouse near the Leipzig market square. Bach's exposure to such a secular public environment inspired him to compose numerous purely entertainment pieces for solo keyboard and several violin and harpsichord concertos. Politics: Being the undisputed musical genius, Bach still suffered from ugly political machinations.

Although the Leipzig Council had enough money, they never honored the promised salary of talers a year; promised to Bach by the Mayor of Leipzig, Gottlieb Lange, at the hiring interview. Bach worked diligently, in spite of being underpaid for 27 years until his death. On top of that local political factions in the Leipzig Council manipulated Bach's educational work as well as his compositions and public performances. They were pressuring him as the Cantor and Composer and interfering his creative efforts by imposing restrictions on his performances because of their ugly political games. King Frederick the Great invited Bach to Potsdam in There the king played his own theme for Bach and challenged the composer to improvise on it.

Bach used the 'royal theme' and improvised a three-part fugue on the king's piano. Susie Napper will join Corriveau and Milnes for these instrumental selections. The closeness of the Bachs sometimes complicates the attribution of their music. The Cello Sonata in A Major of Johann Christoph Friedrich seems liberated, natural, and comprehensible when played on a cello fit with a fifth string whereas the Cello Concerto in A minor of his older brother, Carl Philipp Emanuel fits well on the more popular 4-string instrument. Each work demonstrates the language of Sensibility Empfindsamkeit : intimate, sensitive, and subjective. In their music, emotions are fleeting and instantaneous and, above all, the beauty of melody is emphasized.

Constantinople partners with the seminal Corsican polyphonic singing group A Filetta, to create an enchanting sonic tableau where light and shadow meet, through sacred and secular songs from the rich Corsican musical tradition. Polyphony by the prodigious vocalists of A Filetta, as well as songs and music orchestrated by Kiya Tabassian, will come together in a deeply moving concert. Kuhnau was cantor in the Thomaskirche of Leipzig before Bach and in addition to being a remarkable composer, he was a lawyer and a linguist who wrote a satirical novel, Der musicalische Quacksalber The quality of this work is an excellent argument for exploring more deeply the musical culture that preceded and influenced J.

This cantata contains some of the earliest orchestral writing for natural horns and this may have inspired Bach to do the same in his cantata by the same name as well as in Cantata V of the Christmas Oratorio. The Christmas Oratorio was originally written as six cantatas for six different days between Christmas and the feast of Epiphany.

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