The Exorcist Film Analysis

Monday, September 13, 2021 11:24:27 AM

The Exorcist Film Analysis

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THE EXORCIST (1973) - Raising Hell: Filming the Exorcist

Indeed, this well-appointed quintet is united by a glitzy love of glamour. Realism, or indeed historical verisimilitude, feels as if it's only ever pursued if it coincides with these shows' need for contrast and spectacle. Sometimes this feels at home with the material. In other instances, it comes off a bit forced, opulence for opulence's sake and to the detriment of the dramaturgy. Their wardrobes demand attention, catching the eye of even the most casual of viewers. Whatever the case may be, these are some eye-catching programs, so much so that it's difficult to predict who'll win. All five contenders feel like potential victors. The nominees are….

Description from the ballot : Daphne debuts on London's marriage market as a new gossip sheet sets high society atwitter and Simon, the eligible Duke of Hastings, returns to town. As much as one might love historical accuracy in costume design, it's always fun to find a project that so decidedly runs away from it. For Bridgerton , Mirojnick and Glaser III devised an aspirational dream of Regency England, appealing to modern sensibilities and the show's ideals of pastel progressivism. ShondaLand's most exuberant confection looks like it's populated by living pastries, every feminine figure bedecked in anachronistic textiles and a cornucopia of frothy frostings, spangles, lace, and heaps of machine embroidery.

The men are closer to period reality, but their accouterments are dialed back, 19th-century dandyism made sexier for a modern audience. I can't say I'm on board with all the costuming decisions — the Bridgerton girls tend to look inelegantly prom-y, and the simplified masculine attire often feels too subtle for the surrounding maximalism. However, it's difficult not to clap at the deliberate gaudiness, especially when it coalesces in some truly ravishing visions.

Lady Danbury's costumes, for instance, strike the perfect balance between period lines and fantasy fashion. She's one of the best-dressed characters of the Emmy season. If it weren't for a particular royal drama, I'd be ready to call Bridgerton the frontrunner for the prize. Description from the ballot : Halston considers a fateful business deal and meets a charismatic escort while struggling with old insecurities ahead of a historic fashion show. While this submission is understandable considering the historical importance of the Battle of Versailles Fashion Show, it feels like a missed opportunity not to submit Halston 's finale.

That episode features recreations and imagined prototypes of the designer's incursions into stage costuming, as well as a montage of all the series' greatest sartorial hits. Not that "Versailles" is a bad submission. San Juan gets to showcase the delicate balancing act between copying archival clothes from legendary couturiers and narrative compromise. While the diminished scale of the showdown's presentation within the show is disappointing look at Bonello's Saint Laurent for a more exciting portrayal , the individual costumes are a success.

It's amusing to take a peek behind the scenes of the runway glamour, seeing San Juan's deconstructions of iconic outfits in the annals of American fashion. The flow and interplay of textiles, a vital part of Halston's craft, is especially well-reproduced. Even before we see them in motion, the garments have a kinetic quality, their waves of pleats and shiny spandex begging to be stretched and twirled. Description from the ballot : Nurse Mildred Ratched seeks employment at Lucia State Hospital as it prepares to admit a new psychiatric patient: notorious killer Edmund Tolleson. Glamour is beautiful to behold, and there's no doubt about that. Despite this, there are instances where its indulgence makes no sense, effectively harming a screen story instead of augmenting it.

Ratched often points toward vague ideas of postwar austerity and a clinic's crumbling finances, social hierarchies, and the power imbalances that come with money, whiteness, masculinity, and outward normalcy. Those ideas are never reflected in the costuming, nor any design element to be accurate. Still, amid the puerile melodrama of Ryan Murphy's latest horror concoction, Lou Eyrich and Rebecca Guzzi's creations prove to be a needed distraction. They're a beacon of entertaining splendor that delights as a decontextualized circus of saturated color and New Look silhouettes. Vertigo 's Hitchcockian influence injects blue-greens into the palette, curated nurse uniforms that look ready for the runway. On the other hand, a shot of mustard redefines Dior's fashion revolution as the perfect garb for a camp villain.

It's all too much, an orgy of extraordinary outfits that obfuscate the mess while still being an integral part of Ratched 's failure. Description from the ballot : On a tour of Australia, Diana struggles to balance motherhood with her royal duties while both she and Charles cope with their marriage difficulties. Like Halston , The Crown 's submission is unexpected, if understandable. Most people were probably expecting "Fairytale" as the show's contender, considering it features the intricate recreation of Princess Diana's iconic wedding dress. Nonetheless, Roberts and her team went with "Terra Nullius" and its dramatization of the royal couple's Australian tour of As in "Fairytale," there are many outfit copies to appreciate for their accuracy, but one also gets many examples of the designer's dramaturgical finesse.

Notice how Charles and Diana's public life bleeds into personal moments, her flowery prints dominating frames she's barely in while he blends into the background. Then, there are the fantastic crowd scenes, an immersive feat of historical invocation. Finally, one can't ignore the shocking contrast between the People's Princess and the Establishment. Every time we cut to the Royal family observing the tour from afar, it's startling how autumnal they look, both in color story and metaphorical feel. Theirs is an antiquated elegance, outdated and stuffy, even by early s standards. Here, a disruptive vision of unglamorous wealth serves to tell a narrative of stifling shadows snuffing out the brightest of lights. Description from the ballot : A visit from an old friend forces Beth to reckon with her past and rethink her priorities, just in time for the biggest match of her life.

No television wardrobe was more coveted in than Beth Hammond's endless collection of chess-themed fashions. Perpetuating an idea of obsession coming out in the protagonist's sartorial choices, Binder dressed Anya Taylor-Joy in an array of subtle and sometimes not so subtle checkered patterns and grids, rectilinear graphic lines executed in monochromatic palettes. Indeed, most of the heroine's costumes evoke the black-and-white chessboard while including hints of muted greens and browns, ghosts of traumatizing orphanages, and addictive bicolored pills.

While it's impossible to deny the chicness of The Queen's Gambit , one sometimes wishes for some more messiness, a hint of human idiosyncrasy that disturbed the spotless perfection. Often, it can feel as if we're watching a heavily curated Vogue photoshoot rather than a drama, so overwhelming is this aesthetic. Certain gestures like Beth's symbolic transformation into a White Queen chess piece could have added stylistic levity if the execution wasn't so depurated. Regardless of these minor quibbles, the costumes always look gorgeous.

View Printer Friendly Version. I did not plan this production. However, during the collection of materials and insightful browsing of various archives, I came across documents whose discovery will enlighten viewers about Divine Mercy. Now you will be able to see how many elements fit together and how God has beautifully orchestrated all of it.

It will be much more than that. He may use your help, too. This production is created thanks to the involvement of many people. I can say with certainty that it will have the chance to move the most hardened of hearts. Official Trailer. Read More. Janusz Chabior as Eugeniusz Kazimirowski. Brooklyn, NY distribution kondrat-media. Sign up to get receive additional information about the film, and future projects.

Bitch in Sheep's Clothing : Buffy, especially to her parents. Breaking the Fourth Wall : The film's crew is featured in one scene, and when the Dawson's Creek theme song starts playing during another scene, James Van Der Beek shows up, only to realize he's on the wrong set. Breast Attack : Carmen Electra getting stabbed in the breast by Ghostface, and her breast implant popping out leaving her relatively unharmed and Ghostface rather perplexed. Bullet Time : The movie parodied The Matrix bullet-time scene with a thrown disc-shaped object. The killer bends back When time speeds back up, he can't "un-bend".

The Cameo : James Van Der Beek appears, apparently in-character as Dawson Leery , climbing into Cindy's window before realizing he's in the wrong house. Cat Scare : Parodied several times, first with a character checking for a noise finds a cat, then a dog, then a horse. Cancelling TV shows does! Creepy Gym Coach : The high school coach is a man pretending to be a woman played by a roided female bodybuilder who's apparently just using the job to spy on teenage girls. Cindy only realizes this when she goes to the coach's office for advice and sees a pair of balls hanging from "her" skirt. Curtain Camouflage : At some point in the beginning of the movie, the killer hides behind a curtain.

Or he would, if not for his hook poking out. Death by Genre Savviness : Parodied with Buffy 's death scene. Death by Sex : Yes, she's a filthy so and so and gets killed for it. As usual. Depraved Homosexual : Bobby is an odd example in that his crimes aren't sexual in nature, but he only becomes a serial killer after Cindy denies him sex and he realizes that he and Ray his partner in the killing spree are gay soulmates. Ray denies the accusation however—with increasing implausibility, as Bobby notes all the things they do together, up to and including going down on each other. Bobby : "But - you made love to me! Cindy: Um, you're behind the couch, I can see your feet.

Killer: D'oh! Okay, okay close your eyes! Bobby: What? I know what you did last Halloween. When she snaps back, she unfolds and reads more of the note] No, bitch! I'm talking about the guy you killed! Greg: A small dick's like a disability, man! Would you make fun of a guy in a wheelchair?! Where are you, you sick fuck?! I'll kick the shit outta you, all right?! It's not the size of the hammer, it's the nail you're throwing it at!

Bobby : But abstinence makes you discover new things about yourself. That's right Cindy - I'm gay. And in case you haven't noticed, so is Ray. Beat Ray : confused What? I ain't gay. Bobby : What are you talking about? You took me to that club. Ray : So? They play good music. Bobby : Well, what about our trip to San Francisco then? Ray : I wanted to go shopping. Bobby : [on the verge of crying] But Ray : No hohoho, first of all you sucked my - Bobby : Whatever Ray! Shorty : to the entire school cafeteria Party at Cindy's house! Drunk white women for everybody! Scary Movie 2. The priests end up manhandling and spitting vomit on the possessed girl hey, she started it before just deciding to shoot her when they get fed up with her insults.

Alex gets raped as well, but she gets into it. Then becomes a Stalker with a Crush , much to the ghost's dismay. Eventually, Vitamin C stops the song to tell Cindy to "shut the fuck up and let me sing! The Butler Did It : The creepy, depraved butler turns out to be in league with the evil ghost inhabitating the haunted house. Butterface : Parodied with the ghoul that attacks Shorty.

At first he's horrified and it looks like she's strangling him, but he's actually having sex with her, solving the problem with a paper bag "No no, no kissing! They're still together at the very end. Cat Scare : Pardoed with Cindy being spooked by a cat in her room, and then getting beating up by it in a fight. Corpsing : Hanson is serving dinner and says, "Who wants a wing?

Shorty suddenly breaks out with laughter, and you can clearly see the actors playing Ray, Buddy, Theo, and Alex laughing. Dead All Along : In the alternate ending, Cindy was the only one alive as everyone else are ghosts. Dem Bones : Parodied when Cindy is being chased by a skeleton, only to be reprimanded by Brenda for being afraid of a skeleton. To illustrate her point, Brenda pulls the skeleton apart and reassembles him badly. Don't You Dare Pity Me! He does this even when it would be ridiculously hard to do by himself, like crawling up two flights of stairs. When the Brainless Beauty offers to "help him out downstairs" to get his keys, he responds by auto-fellating himself.

Favors for the Sexy : Parodied. As soon as the sultry Theo enters the mansion's dinner room and catches the attention of all the guys in the room, she demands that they give her a chair. The more plain Cindy gets thrown out of her own chair and Theo ends up with about four places to sit, including the paraplegic giving her his own wheelchair.

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