The Glass Menagerie And Death Of A Salesman Analysis

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The Glass Menagerie And Death Of A Salesman Analysis

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Death of a Salesman by Arthur Miller - Summary \u0026 Analysis

Barbara has an incredibly expressive face, and she communicates everything she needs to in order to make her character memorable, understandable, and sympathetic. Pat, who ironically played Barbara's father in Splendor in the Grass in , plays the Gentleman Caller, which is also a difficult part to play. The Gentleman Caller has to be incredibly nice without being flirtatious, and he has to bolster the daughter's confidence without seeming romantically interested in her. Pat masters the lines. He really seems like that guy in high school that's nice to everyone and enjoyed the mandatory leadership workshop so much he continues to spout off the phrases weeks later.

If either of these two characters are your favorite in the show, you can rent this version, but I prefer the adaptation instead. DKosty 10 December It is a wonder this CBS production from still exists. A lot of the video tape productions from this era got taped over with other programs. This production is a continuation for CBS from 's type of drama productions like Playhouse 90 which were done often in that era. This was considered lost, just like quit a few CBS productions of this era. This first television version, recorded on videotape and starring Shirley Booth, was broadcast on December 8, , as part of CBS Playhouse. Booth was nominated for an Emmy for her performance as Amanda. The cast is excellent in this one. As it was taped rather than done live like it would have been in the 's, the production is a bit more polished but not as exciting as a live one would have been.

The version run 50 years exactly after it's original air date on Dec 8, still has it's commercial breaks in place. It is in good condition though not perfect as was pointed out before it aired. This Tennesee Williams play had been done on movie film as early as and had been done on Broadway often. While the network, and even the producers had lost track of it, somehow it was found at the University of Southern California on 2 inch master tapes, but only the masters were not organized and were in takes which did not specify which ones were originally broadcast.

Then someone found a bootleg audio of the program and matched it to the tapes. Quite a process for sure. The results show that great performers do make a good drama go, and Hal Holbrook is very very good on this production. This would be done for television again in the 's with Sam Waterson in the cast. I have not seen the other production. Holbrook does the narrator role here as well introducing the story and then coming in after breaks to fill in the gaps between scenes as the story goes along. Brian14Leonard 5 January Up until I saw this at age 10 or 11, I thought virtually everything I saw on TV was a fantasy that had no connection whatsoever to real life. Seeing The Glass Menagerie for the first time was a shock.

Obviously, I can't be sure, but my recollection of the production was that it was perfect unlike the 70s TV version with Katharine Hepburn and Michael Moriarty. Seeing it started a long involvement for me with theatre and began my search for quality television. It is my 1 "want" to see again; the last time I looked for it at the Museum of Television several years ago , they didn't even have it. At least it is finally listed here on IMDb, for which I am thankful. I remember this vividly nycowboy53 25 August I was 13 when this Glass Menagerie was first shown on TV, and it seemed like it was the most real thing I had ever seen on TV or in a movie.

All the Gentleman Callers that I have seen since were trying to be nice, but Hingle seemed to be absolutely genuine and completely effortless. I learned that he had gone to UT-Austin, about 30 miles from where I was growing up. I came upon this mid-movie on TCM. I've seen the Hepburn and Woodward versions as well as Cherry Jones on stage. This was unwatchable. Shirley Booth, normally a magnificent actress was horribly miscast. She was simply not believable as a faded southern belle. She was incredible in Come Back Little Sheba. In Menagerie, she's simply dreadful. Hal Holbrook did a respectable job as Tom, and the reliable Pat Hingle did a fine job. Barbara Loden was adequate.

The set conveyed the appropriate claustrophobic atmosphere, but the costumes were far from period. The lime green dress Booth wore? Whose idea was that? If the audience were Chinese Communists, the purpose of the play would change to one of empathy of the struggle to one of illustrating the wrongs of the American way. This would reinforce empathy with the characters for the Chinese audience. This includes succeeding in business, becoming rich, and essentially winning. Willy has not been succeeding, and he is near the end of his career and his life. He realizes that his only way to cash in on the American Dream is to kill himself, as he is worth more dead and can give his child a chance at succeeding.

This might be interpreted as the soulless nature of capitalism and the superiority of Communism Miller, Act 2. The single act which would make him successful and reach the American Dream is his death, not his life and not the hard work that he has done for over thirty years. If Willy Loman were a Chinese immigrant worker who worked hard for 30 years without much benefit, this would become strong propaganda regarding not leaving China for the American Dream. The government of China in the twentieth century was very concerned about Western influences, and all manner of the arts were subject to review by government policy.

For this reason, it would be wise to write the play in a manner that assures it will pass such reviews. He had a good dream. In a play rewritten for a Chinese audience, Biff, as the new head of the family, uses the insurance money to bring his mother and brother back to China. In this way the play would have a happy ending for this Chinese audience. For a Chinese audience this link to the land would likely be well understood, although China was also going through an industrial revolution and more people were leaving farms for cities.

This part might be written with specific government message lines in mind, as Chinese propaganda against America was a part of life in those times. After the war, there were a lot of tensions with Russia, and there was fear of communism. Because of this, there was controversy for Miller. He was also accused of being a communist. Given that this was the interpretation of his play by many of his contemporaries, Chinese communists, who had real fears and concerns about the American Dream, would have an even stronger connection to the criticism of capitalism inherent in this play. In The Glass Menagerie, Williams' skillful use of the narrator and his creation of a dream-like, illusory atmosphere help to create a powerful representation of family, memory, and loss.

The Glass Menagerie is loosely autobiographical. The characters all have some basis in the real-life family of Tennessee Williams: Edwina is the hopeful and demanding Amanda, Rose is the frail and shy Laura whose nickname, "Blue Roses," refers directly back to Williams' real-life sister , and distant and cold Cornelius is the faithless and absent father. Tom is Williams' surrogate. Williams actually worked in a shoe warehouse in St. Louis, and there actually was a disastrous evening with the only gentleman caller who ever came for Rose. Thomas was also Tennessee Williams' real name, and the name "Thomas" means twin - making Tom the surrogate not only for Williams but also possibly for the audience.

He is our eye into the Wingfields' situation. His dilemma forms a central conflict of the play, as he faces an agonizing choice between responsibility for his family and living his own life. The play is replete with lyrical symbolism. The glass menagerie, in its fragility and delicate beauty, is a symbol for Laura. She is oddly beautiful and, like her glass pieces, easy to destroy. The fire escape is most closely linked to Tom's character and to the theme of escape. Laura stumbles on the escape, while Tom uses it to get out of the apartment and into the outside world. He goes down the fire escape one last time at the end of the play, and he stands on the landing during his monologues. His position there metaphorically illustrates his position between his family and the outside world, between his responsibility and the need to live his own life.

The play is non-naturalistic, playing with stage conventions and making use of special effects like music and slide projections. By writing a "memory play," Tennessee Williams freed himself from the restraints of naturalistic theatre. The theme of memory is important: for Amanda, memory is a kind of escape.

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